9. aug.: Maria Laurette Friis
TIME: 9 Aug. 12.00-24.00h
START: Viktoriagade, Copenhagen V
CATEGORY: Composer / sound artist / musician
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“Under the bridge there is a portal, or it’s just a place under a bridge, depending on the day.”
Walking in the city, searching for First Picture of Walking in Ocher-Coloured Creek, 13 tableaux and places to rest.
First Picture of Walking in Ocher-Coloured Creek.
Walking in the water, following the course of the stream. The creek is icy cold in places and full of rocks, small sharp rocks, large, rounder boulders.
The feet are drilled into ocher-coloured, muddy water at the base of the creek.
The surface is clear and rippling.
Going far and long, can not stop, am so far away that it no longer matters, have gone far farther than before, the house can no longer be seen.
Under the bridge it is cool and dark, a swallow with cubs, a small, bricked, rough and cold ledge to rest on.
The water gurgles and ripples, the sound is amplified in here, the heat wave is kept out.
It’s a small, cool, whitewashed monastery, right there, under the bridge, confessing something to someone or something, maybe to the swallow cubs, the sound being thrown around and left in there.
Outside the space under the bridge, the light is bright and the eyes are narrowing.
The water becomes shallow and slightly warmer, the creek wider, with large rocks and a more sandy, lighter bottom.
It’s another country.
Another day, looking for the same creek.
Find it. It’s just a stream. So the water is not ocher coloured either. Under the bridge, the high-ceilinged, whitewashed monastery room with mirror-water floor in the memory is small and unremarkable, no swallow cubs – were there ever any?
DOKUMENTATION 9. AUG
Maria Laurette Friis interesserer sig for at lytte bagom til det, der måske kunne have været sagt – til den lyd, der ikke findes andre steder end i erindringen eller i forestillingen om en lyd.
Usammenhængende historikker, besynderlige synkroniciteter, springende tidslinjer og antenner i både naturlig og menneskeskabt form er gennemgående temaer.
Både som komponist og som performer arbejder Maria Laurette Friis med improvisationen som et bærende element.