GEORG JAGUNOV – Timefulness in Flint

TIME & PLACE See the full program for Performing Landscapes here
WHAT Interactive workshop

The hidden stories of stones
TIMEFULLNESS IN FLINT seeks to reestablish the deep connection to flint—a core material that humans have been closely linked to for millions of years. Flint holds stories of journeys through Ice Age tundras, primeval forests, fjords, and coastlines—stories of survival, magic, and raw beauty. It preserves memories of vast ice masses and the warm, tropical Cretaceous sea.

A staged excavation site, a field laboratory, will be set up. The audience will engage in a series of sensory and interactive tasks that foster collaboration, dialogue, and deep reflection. Through various manipulations of flint, its hidden stories will be brought to life. The long-term perspective enhances our understanding of our place within the planet’s cycles. Together, we will build landscapes and breathe life into them. We will transfer a part of ourselves into the stone, weaving imaginative tales of the past and future.

ABOUT GEORG JAGUNOV
Georg’s artistic practice revolves around the interplay between nature, technology, and time. Through digital animations, sculptures, performances, and living installations, he creates micro-worlds where organic, geological, and digital elements merge. Inspired by prehistoric landscapes and mythology, he explores the hidden layers of prehistory and their connection to the present. With a particular focus on site-specific works, he incorporates the area’s geology, artifacts, and narratives, adding depth and context to the experience. Jagunov’s works invite the viewer to reflect on humanity’s place in nature and how technological development influences our perception of time and space.

https://jagunov.com/ / instagram.com/geobit

PRACTICAL INFORMATION
Duration: 60 min
Participants: 15-20
Age: 12+
Language: Danish or English

CREDITS
The work is developed and performed by Georg Jagunov as part of The Living Stones research project, in collaboration with Nanna Rosenfeldt-Olsen and the National Museum of Denmark.