{"id":7565,"date":"2018-10-26T14:21:46","date_gmt":"2018-10-26T12:21:46","guid":{"rendered":"http:\/\/www.metropolis.dk\/?p=7565\/"},"modified":"2018-10-26T14:21:46","modified_gmt":"2018-10-26T12:21:46","slug":"ny-nordisk-scenekunst","status":"publish","type":"post","link":"https:\/\/www.metropolis.dk\/en\/ny-nordisk-scenekunst\/","title":{"rendered":"NY NORDISK SCENEKUNST 1986"},"content":{"rendered":"

Festivalen var det f\u00f8rste st\u00f8rre projekt efter Fools festivalerne og signalerede, at KIT fremover satsede p\u00e5 mere specifikke aspekter og temaer frem for de ressourcekr\u00e6vende, brede festivaler. Fools festivalerne havde udvidet vores opfattelse af, hvad teatret er, udvidet teatrets forhold til sit publikum, til andre kunstformer og til byen K\u00f8benhavn. Nu var tiden inde til st\u00f8rre fordybelse.<\/p>\n

Ny Nordisk Scenekunst var en pr\u00e6sentation af 14 udvalgte nordiske teater-, danse- og performancegrupper fra de fem nordiske lande. Den konkrete anledning var afholdelsen af det 9. Informal European Theatre Meeting (IETM) i K\u00f8benhavn. IETM havde siden dets oprettelse i 1981 udviklet sig til et vigtigt forum for formidlere af den nye europ\u00e6iske scenekunst. Ved at bringe det til K\u00f8benhavn h\u00e5bede man ikke blot at pr\u00e6sentere den unge nordiske scenekunst i et internationalt forum, men ogs\u00e5 generelt at \u00f8ge samkvemmet mellem de nordiske kunstnere og formidlere og resten af Europa. Og IETM-m\u00f8det blev reelt en vigtig \u00e5bning for en lang r\u00e6kke nordiske arrang\u00f8rer og kulturudvekslingsorganisationer, som siden har v\u00e6ret medlemmer af organisationen.<\/p>\n

Programmet, udvalgt af KIT i samarbejde med nordiske partnere, satsede p\u00e5 kunstnere, der p\u00e5 een gang havde et personligt kunstnerisk udtryk, og som samtidig reflekterede nogle vigtige aktuelle tendenser i den nordiske scenekunst. De v\u00e6ldigt forv\u00e6nte IETM-medlemmer, med prim\u00e6re r\u00f8dder i trekanten Amsterdam-Bruxelles-Paris, faldt ikke ligefrem i n\u00e6segrus beundring over de nordiske kunstnere, selv om b\u00e5de Birgitta Egerbladhs Saskia og Joakim Groths Vi venter p\u00e5 Godot vakte stor opm\u00e6rksomhed. De nordiske scenekunstnere havde, skulle det vise sig, et st\u00e6rkt men s\u00e6regent udtryk; der var i mange af forestillingerne en seri\u00f8sitet, en insisterende indadvendthed, som var v\u00e6ldig forskellig fra de dav\u00e6rende trends i Europa.<\/p>\n

Finansiering og samarbejdspartnere <\/span><\/h5>\n

Festivalen blev st\u00f8ttet af Nordisk Teaterkomit\u00e9 og Teaterr\u00e5det, IETM-m\u00f8det af Nordisk Kulturfond og medlemmerne selv. Programmet blev udvalgt i samarbejde med Scensommarfestival, Stockholm og Oslos Internasjonale Teaterfestival, det f\u00f8rste skridt i retning af at skabe et nordisk formidlernetv\u00e6rk.<\/p>\n

NYT NORDISK
\nSCENEKUNST
\n22.-26. OKTOBER \u201886<\/span><\/h5>\n

En festival arrangeret i forbindelse med IETM\u2019s
\n<\/span>(Informal European Theatre Meeting) m\u00f8de i K\u00f8benhavn<\/span>
\n[vc_row][vc_column width=”1\/2″]<\/p>\n

DANS<\/span><\/h5>\n

DIK PROJEKT <\/span><\/strong>(se forside foto)<\/span><\/em>
\nDANMARK\/FRANKRIG
\nKOR. Brigitte Farges
\nMUSIK T.S. H\u00f8gh, Xenia Foss, Peter Schneidermann
\nLYS Maurice Salem
\nSCEN. Torben Ebbesen
\nSaltlageret, 22. & 23. oktober\"\"<\/a><\/p>\n

 <\/p>\n

ISLENSKI DANSFLOKKURIN\/ THE ICELANDIC DANCE COMPANY<\/span><\/strong>
\nISLAND
\nDistance (I);
\nFaltering Considerations (II);
\nAnother Journey (III) (1986)
\nKOR. Ed Wubbe
\nLYS Arni Baldvinson
\nMUSIK Samira Ben Said (I),
\nArvo P\u00e4rt (II),
\nJohn McDowell (III)
\nDRAM. Armenio & Marcel Alberts (I),
\nHep von Delft (III)
\nKOSTUMER
\nHeidi de Raad (I&III),
\nSigurj\u00f3n J\u00f3hannsson (II)
\nSaltlageret, 24. oktober<\/p>\n

 <\/p>\n

RAATIKKO<\/span><\/strong>
\nFINLAND
\nThe Black-and-White Dance\/Kraft
\nKOR. Ulla Koivisto
\nMUSIK Magnus Lindberg
\nKOSTUMER gruppen og P. Ojamaa
\nLYS Paavo Ahvo, Jukka Mikkonen
\nSaltlageret, 25. oktober<\/p>\n

 <\/p>\n

SASKIA<\/span><\/strong>
\nSVERIGE
\nThe Red Sea
\nISC. Birgitta Egerbladh, Barbro Smeds
\nKOR. Birgitta Egerbladh
\nSCEN.\/KOST. Ann Margaret Fyreg\u00e5rd m.fl.
\nLYS Torkel Blomkvist, Anneli Blom
\nSaltlageret, 26. oktober (2 opf.)<\/p>\n

 <\/p>\n

TEATER<\/h5>\n

DALVADIS<\/span><\/strong>
\nLAPLAND\/SVERIGE
\nChildren of the Sun
\nISC. \u00c5sa Simma-Charles
\nMASKER Normal Charles
\nAhlefeldtsgade, 23. & 24. oktober<\/p>\n

 <\/p>\n

DEN BL\u00c5 HEST<\/span><\/strong>
\nDANMARK
\nJeg vil sove \u00e6blernes s\u00f8vn (1986)
\nID\u00c9\/ISC. Alexander Jochwed
\nSCEN. Lotte Henriksen
\nKOSTUMER Hanne Brink, Janne Boisen
\nMASKER Jens Kirkedal Boisen
\nLYS Ralf Schulte
\nAhlefeldtsgade, 25. & 26. oktober<\/p>\n

 <\/p>\n

PERFORMANCE<\/h5>\n

PASSAGE NORD<\/span><\/strong>
\nNORGE
\nVeien mellem Vann og T\u00f8rst
\nID\u00c9\/ISC. Kjetil Sk\u00f8ien
\nMUSIK George Crumb, Benjamin Lew, Steven Brown
\nLYS Caspar Evensen, Inger J. Byhring
\nDet Franske Institut, 24. & 25. oktober<\/p>\n

[\/vc_column][vc_column width=”1\/2″]<\/span><\/p>\n

EGG LEIKH\u00daS<\/span><\/strong>
\nISLAND
\nThe Turtle Gets There Too
\nISC. Arni Ibsen
\nMUSIK Larus H. Grimsson
\nDESIGN Gerla
\nMEDV. Vidar Eggertsson
\nK\u00f8benhavneren, 25. & 26. oktober<\/p>\n

 <\/p>\n

FARFA<\/span><\/strong>
\nDANMARK
\nLandet NOD
\nISC. C\u00e9sar Brie
\nSCEN.\/KOST. Lena Bjerregaard, Poul \u00d8stergaard
\nLYD Leif Bech
\nAhlefeldtsgade, 24. & 25. oktober<\/p>\n

 <\/p>\n

GRENLAND FRITEATER<\/span><\/strong>
\nNORGE
\nV\u00e5kenatt (1986)
\nISC. Geddy Aniksdal
\nDet Franske Institut, 23. oktober<\/p>\n

 <\/p>\n

JORDCIRKUS<\/span><\/strong>
\nSVERIGE
\nDuellen
\nISC. Marika Lagercrantz
\nMUSIK Nils Personne
\nSCEN.\/LYS Chris Torch, Rainer Reitz
\nAhlefeldtsgade, 26. oktober (2 opf.)<\/p>\n

 <\/p>\n

LA LUNA<\/span><\/strong>
\nDANMARK\/ITALIEN
\nThe Last Show
\nID\u00c9\/ISC.\/MEDV. Gitte Christensen, Marco di Stefano
\nMUSIK Stefan Borum
\nLYS Poul T\u00f8nder
\nK\u00f8benhavneren, 23. &. 24. oktober\"\"<\/a><\/p>\n

 <\/p>\n

SCHAHRAZAD<\/span><\/strong>
\nSVERIGE
\nMacbeth (1986)
\nISC. Wilhelm Carlsson
\nMUSIK Twice a Man
\nSCEN.\/KOST. Anders Widoff
\nLYS Magnus Forsgren
\n Christianshavn Beboerhus, 23. & 24. oktober
\n<\/span><\/p>\n

 <\/p>\n

TEATER MARS<\/span><\/strong>
\nFINLAND
\nI v\u00e4nten p\u00e5 Godot (1985)
\nDRAM.\/ISCENES\u00c6TTELSE
\nJoakim Groth
\nAhlefeldtsgade, 22. oktober\"\"<\/a><\/p>\n

[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

Festivalen var det f\u00f8rste st\u00f8rre projekt efter Fools festivalerne og signalerede, at KIT fremover satsede p\u00e5 mere specifikke aspekter og temaer frem for de ressourcekr\u00e6vende,…<\/p>\n","protected":false},"author":1,"featured_media":7558,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[89],"tags":[836],"class_list":["post-7565","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","tag-ny-nordisk-scenekunst-1986"],"acf":[],"yoast_head":"\nNY NORDISK SCENEKUNST 1986 - Metropolis<\/title>\n<meta name=\"description\" content=\"Festivalen var det f\u00f8rste st\u00f8rre projekt efter Fools festivalerne og signalerede, at KIT fremover satsede p\u00e5 mere specifikke aspekter og temaer frem for\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.metropolis.dk\/en\/ny-nordisk-scenekunst\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NY NORDISK SCENEKUNST 1986 - 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