{"id":750,"date":"2015-08-17T19:26:41","date_gmt":"2015-08-17T17:26:41","guid":{"rendered":"http:\/\/www.metropolis.dk\/day-5-ceci-nest-pas-lhistoire\/"},"modified":"2017-06-12T19:44:22","modified_gmt":"2017-06-12T17:44:22","slug":"day-5-ceci-nest-pas-lhistoire","status":"publish","type":"post","link":"https:\/\/www.metropolis.dk\/en\/day-5-ceci-nest-pas-lhistoire\/","title":{"rendered":"Day 5: Ceci n\u2019est pas de l\u2019histoire*"},"content":{"rendered":"

By Sofie Henningsen<\/strong><\/em><\/p>\n

\"day<\/a><\/p>\n

Today it is Sunday and Str\u00f8get is bit more calm because most shops are closed. Still many tourist and some Copenhageners go there to take a stroll or grab a coffee. This is a perfect day to relax in the sun and to be entertained. Perfect, the show will start in 15 minutes. This is what is written on a small blackboard on the floor of the glass box today, as the shutters go up. Behind the blackboard is a black man sitting with chains on one of his feet. He wears nothing but a small white cloth around his lower waist. Next to him is a basket filled with peanuts. Some of them are spread on the floor. He looks exhausted while he sits in the corner with his back against the wall eating a few nuts once in a while. One person in the audience is asking one of the others, what this is about. Both of them have been visiting the art installation one of the previous days.<\/p>\n

\u201cIt is about showing the pictures of things we don\u2019t want to see in the Danish society. Things, that we try to hide or forget.\u201d<\/em><\/p>\n

\u201cAh, now I understand all of it much better.\u201d<\/em><\/p>\n

Today many people are explaining the context to each other thoroughly. A mother is explaining to her little son that they are watching a kind of living art about the fact that Denmark once had slaves. She explains what a slave is. Another Danish family is
\nstaying there for quite some time reading and watching. When the man inside the box looks back at them and keeps looking at them, the mother goes:\u201d I get the shivers, when he looks at me. I feel guilty.<\/em>\u201d The father replies: \u201cYeah, it is really a cruel part of our history that we don\u2019t really speak of<\/em>.\u201d Three young Danish guys are happy to be confronted with this topic: \u201dIt is cool that it is in your face.<\/em>\u201d Several of the Danish audience talk about the movies \u201cGuldkysten\u201d and \u201c12 Years a Slave\u201d. The last one is portraying the American slave history, which for some Danish people might be more known to them: \u201cI didn\u2019t know Denmark was a part of the slave trade. It is nothing to brag about. You don\u2019t want to see it. When I went to school a long time ago I didn\u2019t learn about that. I thought it was the in the U.S. Well it is good this box is here, so that you can\u2019t miss it.<\/em>\u201d Some young schoolboys discuss the topic of the installation and refer to their school topic on the former Danish West Indies. A diplomat from Burkino Faso shows interest in the art project. He thinks this art installation is a good idea to create awareness in this time of an increasing nationalist sentiment.<\/p>\n

Some people are waiting for the performance to start. A few people in the audience are checking out every inch of the box and the man. One is waving trying to get in contact and she gets an immediate reaction. The man inside box leans forward and looks her strait into the eyes, and something that sounds like a lion roar scares the lady a bit. It did not seem to come directly from the man but every one reacted on the sound and steps a bit back. Now the man in the box is changing the little blackboards saying that the show is starting in 10 and then 5 minutes. Two ladies from a guided tourist group see the box as they walk: \u201cCome on let\u2019s go, we don\u2019t want to see this<\/em>\u201d, which is similar to the reaction of two English speaking ladies: \u201c It reminds me of\u2026 I don\u2019t like it<\/em> \u201c. While some even dare to say what they think, a few Danish people during the day go:\u201d He looks like a monkey<\/em>.\u201d<\/p>\n

\"Day<\/a><\/p>\n

The man in the box starts his performance as he stands up and stretches his body. The roar is heard again. He begins to do some extreme acrobatic poses like a contortionist. Many people in the audience grabs their smart phone to record a movie or get at picture. The song \u201cElefantens vuggevise\u201d (The Elephant\u2019s Lullaby, 1948) is played in the background. It is a popular lullaby, but in the newer versions one line in the song is changed into a more politically correct phrasing. During the day no one is commenting on the song, supposedly because they know it or they are focused on the acrobatic show. One time the audience claps as the shutters go down.<\/p>\n

When the shutters go up for the last time today the man is lying still on the floor. A small group of Danish young boys and girls arrives. One of them is noticing the song and hums a little bit but stops again: \u201cDo you know what they sing in this song!? My grandmother told me once. There! They just said it, did you hear it?!<\/em>\u201d<\/p>\n

Three people from Gambia arrive just before closing time and see the man lying in the box. It sounds like they are in a good mood, but a bit surprised by the sight: \u201dOh my god<\/em>!\u201d The man goes to read the text of the day on the side of the box. He reads out loud and turns around to some of other people in the audience: \u201cThis was what the white man did to us back then. But it was back then<\/em>\u201d, he smiles to them. The shutters go down.
\n_____________________________________________________________________________________<\/p>\n

Ceci n\u2019est pas de l\u2019histoire*<\/em><\/strong><\/p>\n

During colonial times, Danish sailors transported 100.000 Africans to the Danish West Indies where they were sold to plantation farmers as their property. Most of these Africans died before arriving because of inadequate conditions on board. In 1848, Denmark abolished slavery. The slaves\u2019 release caused a financial loss for the plantation owners. To compensate for this loss, the Danish government paid fifty dollars for every slave the farmers had owned. An official apology to the Africans or their descendants has not been seen as necessary.<\/em><\/p>\n

The period of colonialism is generally not present in the Danish understanding of national history. This notion is overshadowed by feelings of discomfort about the influence the Danish state had and still has in other places.<\/em><\/p>\n

*This is not history<\/em><\/p>\n

Ceci n\u2019est pas de l\u2019histoire*<\/em><\/strong><\/p>\n

I kolonitiden transporterede danske sejlskibe 100.000 afrikanere til de Dansk-Vestindiske \u00d8er, hvor de blev solgt til plantageejerne. Flertallet af disse afrikanere d\u00f8de f\u00f8r ankomsten p\u00e5 grund af utilstr\u00e6kkelige forhold ombord. I 1848 forb\u00f8d den danske stat slaveri. Slavernes fris\u00e6ttelse for\u00e5rsagede et \u00f8konomisk tab for plantageejerne. For at kompensere for dette tab betalte den danske regering 50 dollars for hver slave, de havde ejet. Man har ikke anset det for n\u00f8dvendigt at give en officiel undskyldning til afrikanerne eller deres efterkommere.<\/em><\/p>\n

Kolonitiden er generelt ikke en del af danskernes forst\u00e5else af den nationale historie. Denne del af historien overskygges af ubehag ved den indflydelse, som den danske stat har haft og stadig har i andre omr\u00e5der.<\/em><\/p>\n

* Dette er ikke historien<\/em><\/p>\n

READ MORE <\/strong>about the Metropolis Festival and the artist Dries Verhoeven\u2019s concept of \u201cCeci n\u2019est pas\u201d in this background article<\/a>\u00a0<\/em>or on K\u00f8benhavns Internationale Teaters webpage<\/a>.\u00a0 <\/em>Also check out the newspaper articles in Berlingske<\/a> and Politiken<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

By Sofie Henningsen Today it is Sunday and Str\u00f8get is bit more calm because most shops are closed. Still many tourist and some Copenhageners go…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[79],"tags":[194,195,163,190],"class_list":["post-750","post","type-post","status-publish","format-standard","hentry","category-blog-en","tag-ceci-nest-pas-en","tag-dries-verhoeven-en","tag-metropolis-en","tag-metropolis-2015-en"],"acf":[],"yoast_head":"\nDay 5: Ceci n\u2019est pas de l\u2019histoire* - Metropolis<\/title>\n<meta name=\"description\" content=\"By Sofie Henningsen Today it is Sunday and Str\u00f8get is bit more calm because most shops are closed. 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