{"id":7479,"date":"2018-10-25T15:56:17","date_gmt":"2018-10-25T13:56:17","guid":{"rendered":"http:\/\/www.metropolis.dk\/?p=7479\/"},"modified":"2018-10-25T15:56:17","modified_gmt":"2018-10-25T13:56:17","slug":"aar-1978-foerste-gaestespil","status":"publish","type":"post","link":"https:\/\/www.metropolis.dk\/en\/aar-1978-foerste-gaestespil\/","title":{"rendered":"\u00c5R 1978 – F\u00f8rste g\u00e6stespil"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″]<\/span><\/p>\n

Et nedlagt k\u00f8kken i et stort kollektiv i Havnegade i K\u00f8benhavn og rockens dav\u00e6rende mekka, Saltlageret, var udgangspunktet for de f\u00f8rste g\u00e6stespil, som Torben Schippper og Trevor Davies arrangerede. De to m\u00f8dtes i Albertslund Kulturforvaltning, hvor de begge var ansat. De delte ikke kun kollektiv, men ogs\u00e5 en overbevisning om, at der manglede noget i K\u00f8benhavn, og at de i \u00f8vrigt gerne ville have noget at rive i efter kl. 16.00. Kollektivet kom hurtigt til at fungere som kontor, billetsalgssted og sleepover for kunstnerne, og senere under den f\u00f8rste Fools Festival blev kollektivets medlemmer udstyret med en skot\u00f8js\u00e6ske og sendt ud for at passe diverse billetsalgssteder.<\/p>\n

 <\/p>\n

I samarbejde med Per Moths Theatre Traffic of Scandinavia og takket v\u00e6re Davies’ egne kontakter til Odin Teatret, Tukak Teater og andre fra den “fysiske” teatertradition fulgte en r\u00e6kke danske og engelske g\u00e6stespil, krydret med et par mere eksotiske indslag fra Frankrig og Argentina. Udv\u00e6lgelsen kunne dengang synes tilf\u00e6ldig, men set i bakspejlet, er det p\u00e5faldende, i hvor h\u00f8j grad netop disse grupper skulle bidrage til en udforskning af et nyt teaterbegreb, og hvor mange af dem, der stadig – 25 \u00e5r efter – skaber vigtige forestillinger.<\/p>\n

 <\/p>\n

Der syntes allerede i disse to f\u00f8rste \u00e5r at tegne sig flere markante retninger: det fattige teater, det politiske teater, den satiriske og vanvittige comedy og moderne opera. Odin, der i \u00e5r fejrer sit 40-\u00e5rs jubil\u00e6um, var allerede veletableret med dets “globale” stil, som tog udgangspunkt i Grotowskis “fattige teater” og med alverdens inspirerende forbindelser i \u00f8st som i vest; i deres spor fulgte Tukak Teatret, som s\u00f8gte tilbage til egne etniske r\u00f8dder og traditioner, og Cardiff Laboratory Theatre, hvis billedrige “environmental theatre” bragte en ny dimension ind i teatret.<\/p>\n

 <\/p>\n

Pip Simmons Theatre var utvivlsomt tidens mest respekterede politiske teater, som med en blanding af musik og teater pustede nyt liv i gamle klassikere, samtidig med at Communa Baires gjorde det politiske teater til andet og mere end blot en scenisk manifestation. The People Show og Forkbeard Fantasy tog fat i galskabens cabaret, hvor vanvid, humor og gr\u00e6nsel\u00f8s fantasi f\u00f8rte os ind i det postmoderne klovne-univers, der skulle blive Fools festivalernes f\u00f8rste kendetegn. Og Saltlageret lagde scene til Footsbarn Travelling Theatres visuelle Hamlet. Fra Frankrig kom b\u00e5de Th\u00e9\u00e2tre du Lierre, som med deres fabelagtige stemmer skabte moderne “opera”, f\u00f8r nogen havde h\u00f8rt om noget s\u00e5dant i Danmark, og Temps Fort, som indtog scenen med fantasi\u00e6ggende dukker, marionetter og masker.<\/p>\n

 <\/p>\n

Det \u00f8konomiske grundlag for disse f\u00f8rste g\u00e6stespil var f\u00f8rst og fremmest publikum, suppleret med et par mindre bidrag fra Kulturministeriet og K\u00f8benhavns Kommune. Omkostningerne var holdt nede omkring nulpunktet, teatergrupperne spillede ofte “p\u00e5 d\u00f8ren”, og med en bel\u00e6gning p\u00e5 godt og vel 100% i de f\u00f8rste \u00e5r var der jo ingen gr\u00e6nser for optimismen. Og n\u00e5r ledelsen selv klarede kontoret, billetsalget, sceneteknik og reng\u00f8ring, var der jo ikke brug for den store organisation.<\/p>\n

 <\/p>\n

De udenlandske grupper var – p\u00e5 trods af fyldige cv’er – ganske ukendte herhjemme. Saltlageret var ikke desto mindre fyldt til bristepunktet, og mens st\u00e5ende ovationer n\u00e6rmere blev reglen snarere end undtagelsen, begyndte ogs\u00e5 anmelderne at komme. De skrev om “kroppen p\u00e5 scenen”, “det ordl\u00f8se teater”, “billedteater”, “en ny tid” – en k\u00e6dereaktion var sat i gang. I sommeren 1979 tog Schipper og Davies en tur til Festival of Fools i Amsterdam, og den efterf\u00f8lgende vinter blev der t\u00e6nkt ambiti\u00f8se tanker i Havnegade, der blev skrevet ans\u00f8gninger, og nye samarbejdspartnere blev fundet med henblik p\u00e5 at lancere den f\u00f8rste Fools Festival i Danmark.<\/p>\n

 <\/p>\n

\"\"<\/a>

F\u00f8rste Fools festival – Trevor Davies<\/em><\/p><\/div>\n

[\/vc_column][vc_column width=”1\/2″]<\/p>\n

G\u00c6STESPIL 1978-1980<\/span><\/h5>\n

CARDIFF LAB THEATRE<\/strong>
\nWALES
\nShadowlands; Moths in Amber (1978)
\nISC. Richard Gough
\nSaltlageret, september 1978
\n<\/span><\/p>\n

 <\/p>\n

FORKBEARD FANTASY<\/strong>
\nENGLAND
\nOn an Uncertain Insect (1978)
\nSaltlageret, 1978 <\/span><\/p>\n

 <\/p>\n

PEOPLE SHOW<\/strong>
\nENGLAND
\nMusikteater
\nSaltlageret, efter\u00e5ret 1978 <\/span><\/p>\n

 <\/p>\n

COMPAGNIE DU LIERRE<\/strong>
\nFRANKRIG
\nP\u00e2ques \u00e0 New York (P\u00e5ske i New York)
\nSaltlageret, 10. & 12. november 1978<\/span><\/p>\n

 <\/p>\n

TURNUS<\/strong>
\nDANMARK
\nWoyzeck
\nSaltlageret, 4.-7. februar 1979 <\/span><\/p>\n

 <\/p>\n

PIP SIMMONS THEATRE<\/strong>
\nENGLAND
\nWe
\nKOR. Helena Fransson
\nMUSIK Chris Jordan
\nLYS Steve Withson
\nVIDEO Steve Withson, Nick Fry
\nSaltlageret, 27. & 28. februar 1979<\/span><\/p>\n

 <\/p>\n

TUKAK TEATRET<\/strong>
\nDANMARK
\nISC. Reidar Nilsson
\nSaltlageret, 1979 <\/span><\/p>\n

 <\/p>\n

COMMUNA BAIRES<\/strong>
\nARGENTINA\/ITALIEN
\nSaltageret, 1979<\/span><\/p>\n

 <\/p>\n

TEMPS FORT<\/strong>
\nFRANKRIG
\nSaltlageret, 1979 <\/span><\/p>\n

 <\/p>\n

ODIN TEATRET<\/strong>
\nDANMARK
\nMillionen – f\u00f8rste rejse (1978)
\nISC. Eugenio Barba
\nMEDV. Roberta Carreri, Toni Cots, Tom Fjordefalk, Francis Pardeilhan, Tage Larsen, Else Marie Laukvik, Iben Nagel Rasmussen, Silvia Ricciardelli, Ulrik Skeel, Julia Varley, Torgeir Wethal
\nSaltlageret, 9.-13. september 1979 – 21.-28. januar 1980 <\/span><\/p>\n

 <\/p>\n

HESITATE & DEMONSTRATE<\/strong>
\nENGLAND
\nScars (1979)
\nK\u00f8benhavn, Husets Teater, 12.-15. oktober
\n\u00c5rhus, Rosenteatret, 12.-15. oktober 1979 <\/span><\/p>\n

 <\/p>\n

ODIN TEATRET<\/strong>
\nDANMARK
\nJohann Sebastian Bach (1974\/1979)
\nISC. Eugenio Barba
\nMEDV. Torben Bjelke, Toni Cots, Francis Pardeilhan, Silvia Ricciardelli, Julia Varley
\nSaltlageret, 30. & 31. januar 1980<\/span><\/p>\n

 <\/p>\n

TUKAK TEATRET<\/strong>
\nDANMARK
\nHaugtussa (Heksen)
\nISC. Reidar Nilsson
\nSaltlageret, 10.-15. april 1980 <\/span><\/p>\n

 <\/p>\n

FOOTSBARN TRAVELLING THEATRE <\/strong>
\nUK
\nHamlet
\nSaltlageret, sept.\/okt. 1980<\/span><\/p>\n

[\/vc_column][\/vc_row]<\/span><\/p>\n

<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/2″] Et nedlagt k\u00f8kken i et stort kollektiv i Havnegade i K\u00f8benhavn og rockens dav\u00e6rende mekka, Saltlageret, var udgangspunktet for de f\u00f8rste g\u00e6stespil, som…<\/p>\n","protected":false},"author":1,"featured_media":7469,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[89],"tags":[832],"class_list":["post-7479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","tag-aar-1978-foerste-gaestespil"],"acf":[],"yoast_head":"\n\u00c5R 1978 - F\u00f8rste g\u00e6stespil - Metropolis<\/title>\n<meta name=\"description\" content=\"Et nedlagt k\u00f8kken i et stort kollektiv i Havnegade i K\u00f8benhavn og rockens dav\u00e6rende mekka, Saltlageret, var udgangspunktet for de f\u00f8rste g\u00e6stespil, som\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.metropolis.dk\/en\/aar-1978-foerste-gaestespil\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c5R 1978 - 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