{"id":7186,"date":"2018-10-23T15:23:00","date_gmt":"2018-10-23T13:23:00","guid":{"rendered":"http:\/\/www.metropolis.dk\/?p=7186\/"},"modified":"2018-10-29T11:40:06","modified_gmt":"2018-10-29T10:40:06","slug":"dancin-city-1996","status":"publish","type":"post","link":"https:\/\/www.metropolis.dk\/en\/dancin-city-1996\/","title":{"rendered":"DANCIN\u2019 CITY 1996"},"content":{"rendered":"<p><strong>Den fjerde festival blev en kunstnerisk kulmination. Med Kulturby 96 fik KIT \u00f8konomisk mulighed for at invitere en r\u00e6kke af vor tids st\u00f8rste koreografer, sidel\u00f8bende med en r\u00e6kke yngre, veletablerede kompagnier og et par helt unge talenter p\u00e5 vej op.<\/strong><\/p>\n<p>Publikum kastede sig glade ud i festivalens \u00e5bningsbal Le Bal Moderne i Pakhus 11, anf\u00f8rt af fire proffe franske koreografer. Samtidig satte Philippe Decoufl\u00e9 Det Kgl. Teater p\u00e5 den anden ende med et fabulerende bravour-show.<\/p>\n<p>Helt centralt i festivalen stod det livgivende gensyn med den postmoderne dans\u2019 faderfigur, Merce Cunningham, ikke mindst hans nye v\u00e6rk Rondo, og Anne Teresa de Keersmaeker, der bekr\u00e6ftede sin position som Europas f\u00f8rende, yngre koreograf, dels med den gamle Rosas Danst Rosas, og dels den legende, poetiske Mozart\/Concert Arias, der satte et forrygende punktum for festivalen. Den fremmeste eksponent for japanernes k\u00f8lige \u00e6stetik, Saburo Teshigawara, viste uds\u00f8gt skulpturel dans. Endelig viste Bill T. Jones med en charmerende hyldest til livet, at USA\u2019s modern dance b\u00e5de kan og skal forny sig<\/p>\n<p>To nordiske indslag, Ingun Bj\u00f8rnsgaard og Tero Saarinen, viste sp\u00e6ndvidden p\u00e5 vores egne breddegrader, mens den overrumplende Quasar og Jos\u00e9 Navas gav to forskellige bud p\u00e5 dansens udvikling i Sydamerika. Festivalens store overraskelse blev J\u00e9r\u00f4me Bels eftert\u00e6nksomme antidans. Det danske v\u00e6rkstedsforum Bysteps indeholdt ikke de store overraskelser, det gjorde tilgeng\u00e6ld Anders Christiansens solo og Tim Feldmans overbevisende Twin Project i Turbinehallerne.<\/p>\n<p>Der var ogs\u00e5 gl\u00e6delige gensyn med Rui Horta\/ S.O.A.P., som dansede sig ind under huden med en krads kommentar til tiden, med Sasha Waltz, som igen tog stikket hjem med sin tragikomiske halvfemserthriller i tre afsnit og Les Ballets C. de la B. overgik sig selv med et hudl\u00f8st \u00e6rligt indblik i en flok tabte eksistenser.<br \/>\n______________________________________________________________________________<\/p>\n<p><i>\u201cDancin\u2019 City lever livet st\u00e6rkt, men farligt. I mods\u00e6tning til mere bredbagede artsf\u00e6ller i Europa har den ikke bare f\u00e5et voksev\u00e6rk, men har turdet satse p\u00e5 kvalitet og en stadig klarere moderne linje. Samtidig har den taget chancer, der skal til, for at holde nysgerrigheden i live \u2013 netop det altafg\u00f8rende r\u00e5stof, som trues af den almene stopfodring.\u201d<\/i><br \/>\nMonna Dithmer, Politiken<\/p>\n<p><i>\u201cDancin\u2019 City \u201996 er blevet en kulmination. Festivalen er blevet et ildsprudlende punktum for KITs vanvittige og gudsben\u00e5dede ambition om at plante den nutidige dans p\u00e5 dens berettigede plads blandt de \u00f8vrige kunstarter \u2013 i Danmark.\u201d<\/i><br \/>\nAnne Flindt Christensen, Information<br \/>\n______________________________________________________________________________<\/p>\n<h5><span class=\"a4_18pix_orange\">DANCIN\u2019 CITY 4<br \/>\n1.-18. AUGUST 1996<\/span><\/h5>\n<p>[vc_row][vc_column width=&#8221;1\/2&#8243;]<\/p>\n<p><strong><span class=\"a4_fed\">\u00c5BNING LE BAL MODERNE<\/span><\/strong><br \/>\nFRANKRIG<br \/>\n5 koreografer skabte danse for og med publikum: Jean-Michel Agius, Frederique Chauveaux, Loic Touze, Eric Delph, Gaelle Courtet<br \/>\nPakhus 11, 1.-4. august<\/p>\n<p>&nbsp;<\/p>\n<h5><span class=\"a4_18pix_orange\">FORESTILLINGER<\/span><\/h5>\n<p><b><span class=\"a4_fed\">MERCE CUNNINGHAM DANCE COMPANY<\/span><br \/>\n<\/b><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">USA<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Program I: Beach Birds (1991), Ground Level Overlay (1995), Crwdspcr (1993)<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Program II: Change of Address (1992), Windows (1995), Rondo (1996)<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Program III: Beach Birds, Rondo, Ground Level Overlay<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">KOR. Merce Cunningham<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">SCEN. Leonardo Drew (Ground Level)<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">MUSIK John Cage (Beach Birds), Stuart Dampster (Ground Level), John King<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">(Crwdspcr) LYS Marsha Skinner (Beach<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Birds), Mark Lancaster (Crwdspcr), Aron Copp (Ground Level)<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Det Kongelige Teater, 9. 10. &amp; 11. august<\/span><br \/>\n<a href=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img9b20DC209620cunningham-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7172\" src=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img9b20DC209620cunningham-3.jpg\" alt=\"\" width=\"400\" height=\"306\" srcset=\"https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img9b20DC209620cunningham-3.jpg 400w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img9b20DC209620cunningham-3-300x230.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">LES BALLETS C. DE LA B.<\/span><\/strong><br \/>\nBELGIEN<br \/>\nLa Tristeza Complice<br \/>\nKOR. Alain Platel<br \/>\nSCEN. William Philips<br \/>\nMUSIK Henry Purcell, Dick Van der Harst<br \/>\nCO-PRODUKTION deSingel, De Vooruit, Th\u00e9\u00e2tre de la Ville, Det Europ\u00e6iske Teater<br \/>\nTorpedohallen, 2. &amp; 3. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">J\u00c9R\u00d4ME BEL<\/span><\/strong><br \/>\nFRANKRIG<br \/>\nNom donn\u00e9 par l\u2019auteur<br \/>\nKOR. J\u00e9r\u00f4me Bel<br \/>\nDansescenen, 15. &amp; 17. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">BYSTEPS<\/span><\/strong><br \/>\nDANMARK<br \/>\n<span class=\"a4_fed\">Jens Bjerregaard<\/span> Tweed<br \/>\n<span class=\"a4_fed\">Kamilla Brekling<\/span> HO-ME<br \/>\n<span class=\"a4_fed\">Lene Boel<\/span> Co\u2019pist<br \/>\n<span class=\"a4_fed\">Anne Katrine Kalmoes<\/span> Portr\u00e6t af et mord<br \/>\n<span class=\"a4_fed\">Lene \u00d8stergaard<\/span> \u00d8en (video)<br \/>\n<span class=\"a4_fed\">Mikala Lage<\/span> Mine dage med Klaus \u2013 take one (video)<br \/>\nDansescenen, 11. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">ANDERS CHRISTIANSEN<\/span><\/strong><br \/>\nDANMARK<br \/>\nStilleben<br \/>\nKOR. Anders Christiansen<br \/>\nSCEN. Christian Q. Clausen<br \/>\nDansescenen, 5. &amp; 7. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">PHILIPPE DECOUFL\u00c9\/DCA<\/span><\/strong><br \/>\nFRANKRIG<br \/>\nDecodex<br \/>\nKOR. Philippe Decoufl\u00e9<br \/>\nSCEN. Jean Rabasse<br \/>\nMUSIK De Courson, Libolt, Coursin, Lengo<br \/>\nDet Kongelige Teater, 1. 2. &amp; 3. august<br \/>\n<a href=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img2b20DC209620Decodex-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7167\" src=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img2b20DC209620Decodex-1.jpg\" alt=\"\" width=\"300\" height=\"400\" srcset=\"https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img2b20DC209620Decodex-1.jpg 300w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img2b20DC209620Decodex-1-225x300.jpg 225w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<span class=\"a4_fed\"><br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">LA FAMILIA FARRUCO<\/span><\/strong> <em>(see frontpage photo)<\/em><br \/>\nSPANIEN<br \/>\nKOR. Antonio Montoya Flores<br \/>\nDANSERE El Farruco, Juanito El Farruquito m.fl.<br \/>\nMusikTeatret Albertslund, 7. 8. &amp; 9. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">TIM FELDMAN<\/span><\/strong><br \/>\nDANMARK<br \/>\nTwin Project<br \/>\nKOR. Tim Feldman<br \/>\nSCEN.\/PROJEKTIONER Tal Yarden, Lise Klitten<br \/>\nMUSIK Guy Yarden<br \/>\nLYS Thomas Bek<br \/>\nTurbinehallerne, 15.-18. &amp; 21.-24. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong>EL GRAN BAILE<\/strong><br \/>\nARGENTINA<br \/>\nBALL MASTER Victor Hugo Diaz<br \/>\nDANSERE Hector Falc\u00f3n &amp; Susana Rojo (BR) m.fl.<br \/>\nF\u00e6rgen Kronborg, 10. august<br \/>\n<a href=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img3b20DC209620falcon20rojo-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7169\" src=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img3b20DC209620falcon20rojo-1.jpg\" alt=\"\" width=\"300\" height=\"400\" srcset=\"https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img3b20DC209620falcon20rojo-1.jpg 300w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img3b20DC209620falcon20rojo-1-225x300.jpg 225w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">S.O.A.P DANCE THEATRE<\/span><\/strong><br \/>\nTYSKLAND<br \/>\nObject Constant<br \/>\nKOR. Rui Horta<br \/>\nSCEN. Rui Horta<br \/>\nMUSIK Koen Brandt<br \/>\nLYS Nobert Mohr, Rui Horta<br \/>\nKanonhallen, 3. &amp; 5. august<\/p>\n<p>&nbsp;<\/p>\n<p><b><span class=\"a4_fed\">ROSAS<\/span><br \/>\n<\/b><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">BELGIEN<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Rosas danst Rosas<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">KOR. Anne Teresa De Keersmaeker<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">SCEN. Anne Teresa De Keersmaeker<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">MUSIK Thierry De Mey, Peter Vermeersch<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">LYS Remon Fromont<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Kanonhallen, 14. &amp; 15. august<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Mozart\/Concert Arias, un moto di gioa<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">KOR. Anne Teresa De Keersmaeker<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">SCEN. Herman Sorgeloos<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">MUSIK Claire Chevaler<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">MUSIKERE Anima Eterna: Jos Van Immerseel (dirigent), Ursula Hesse, Sandrine Piau, Isolde Siebert<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">LYS Jean-Luc Decourt<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Torpedohallen, 17. &amp; 18. august<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">BILL T. JONES\/ARNIE ZANE DANCE COMPANY<\/span><\/strong><br \/>\nUSA<br \/>\nSur la place; Ursonate; D-Man in the Waters<br \/>\nKOR. Bill T. Jones<br \/>\nASS. Darla Villani (Ursonate)<br \/>\nMUSIK Jacques Brel (Sur la place), Kurt Schwitters (Ursonate), Felix Mendelssohn (D-Man)<br \/>\nLYS Robert Wierzel<br \/>\nDet Kongelige Teater, 6. &amp; 7. august<br \/>\n<a href=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img1b20DC209620jones20zane20-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7166\" src=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img1b20DC209620jones20zane20-1.jpg\" alt=\"\" width=\"400\" height=\"300\" srcset=\"https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img1b20DC209620jones20zane20-1.jpg 400w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img1b20DC209620jones20zane20-1-300x225.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">[\/vc_column][vc_column width=&#8221;1\/2&#8243;]<\/span><\/p>\n<p><strong><span class=\"a4_fed\"><b>INGUN BJ\u00d8RNSGAARD PROSJEKT<br \/>\n<\/b><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">NORGE<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">The Flux Position of an Insulted Eye<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">KOR. Ingun Bj\u00f8rnsgaard<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">MUSIK Bach, John Cage\/Rolf Wallin<\/span><br \/>\n<span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: Georgia,'Times New Roman','Bitstream Charter',Times,serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Dansescenen, 4. &amp; 6. august<\/span><br \/>\n<a href=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC2202675-3120IBjC3B8rnsgaard-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-7100\" src=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC2202675-3120IBjC3B8rnsgaard-1-1024x672.jpg\" alt=\"\" width=\"1024\" height=\"672\" srcset=\"https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC2202675-3120IBjC3B8rnsgaard-1-1024x672.jpg 1024w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC2202675-3120IBjC3B8rnsgaard-1-300x197.jpg 300w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC2202675-3120IBjC3B8rnsgaard-1-768x504.jpg 768w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC2202675-3120IBjC3B8rnsgaard-1-700x460.jpg 700w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC2202675-3120IBjC3B8rnsgaard-1-1100x722.jpg 1100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">RANDOM DANCE COMPANY<\/span><\/strong><br \/>\nENGLAND<br \/>\n8 Legs of the Devil; Cyborg; Jacob\u2019s Membrane<br \/>\nKOR. Wayne McGregor<br \/>\nMUSIK Graham Fitkin (8 legs; Jacob\u2019s), Kurt Dahlke, Beaumont Hannant, Seefeel (Cyborg)<br \/>\nLYS Lucy Carter<br \/>\nDansescenen, 16. &amp; 18. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong>JOS\u00c9 NAVAS<\/strong><br \/>\nVENEZUELA<br \/>\nWhile Waiting (1995); Postdata (1994); Celestiales (1992)<br \/>\nKOR. Jos\u00e9 Navas<br \/>\nMEDV. Jos\u00e9 Navas (solodans)<br \/>\nMUSIK Mary Kelly, Richard Strauss, Laurent Masl\u00e9<br \/>\nDansescenen, 13. &amp; 14. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">PARADOX DANCE COMPANY<\/span><\/strong><br \/>\nUSA<br \/>\nKOR. Richardo Morrison, Lori Bloustein<br \/>\nInternationalt kontaktimprovisations-projekt for dansere med &amp; uden handicap<br \/>\nArken, 3.-7. august &amp; 11.-15. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">QUASAR COMPANHIA DE DAN\u00c7A<\/span><\/strong><br \/>\nBRASILIEN<br \/>\nVersus<br \/>\nKOR. Henrique Rodovalho<br \/>\nSCEN. Shell Jr.<br \/>\nMUSIK Arnaldo Antunes, Drummers of Burundi, David Byrne<br \/>\nTorpedohallen, 13. &amp; 14. august<br \/>\n<a href=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC3203122-1120Quasar20Comp-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-7138\" src=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC3203122-1120Quasar20Comp-1-1024x801.jpg\" alt=\"\" width=\"1024\" height=\"801\" srcset=\"https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC3203122-1120Quasar20Comp-1-1024x801.jpg 1024w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC3203122-1120Quasar20Comp-1-300x235.jpg 300w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC3203122-1120Quasar20Comp-1-768x600.jpg 768w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC3203122-1120Quasar20Comp-1-700x547.jpg 700w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/DC3203122-1120Quasar20Comp-1-1100x860.jpg 1100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">TESS DE QUINCEY\/STUART LYNCH<\/span><\/strong><br \/>\nDK\/UK\/AU<br \/>\nEpilogue to Compression<br \/>\nKOR. Tess De Quincey, Stuart Lynch<br \/>\nPladsen foran Dansescenen, 5. &amp; 7. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">TERO SAARINEN<\/span><\/strong><br \/>\nFINLAND<br \/>\nWestward Ho!<br \/>\nKOR. Tero Saarinen<br \/>\nMUSIK Gavin Bryars m.fl<br \/>\nDansescenen, 4. &amp; 6. august<span class=\"a4_fed\"><br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">SABURO TESHIGAWARA\/KARAS<\/span><\/strong><br \/>\nJAPAN<br \/>\nI was real \u2013 Documents<br \/>\nKOR. &amp; SCEN. Saburo Teshigawara<br \/>\nMUSIK Hindesmith m.fl<br \/>\nLYD Karas kompagniet<br \/>\nKanonhallen, 17. &amp; 18. august<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_fed\">SASHA WALTZ &amp; GUESTS<\/span><\/strong><br \/>\nTYSKLAND<br \/>\nTravelogue Trilogy<br \/>\nDel I: Twenty to eight<br \/>\nDel II: Tears break fast<br \/>\nDel III: All ways six steps<br \/>\nKOR. Sasha Waltz<br \/>\nSCEN. Barbara Steppe (Del l), Thomas Schenk (Del ll &amp; lll)<br \/>\nMUSIK Tristan Honwinger, Jean-Marc Zelwer<br \/>\nKanonhallen, 8. 9. 11. &amp; 12. august<br \/>\n<a href=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img13b20DC209620Sasha20Waltz-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7173\" src=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img13b20DC209620Sasha20Waltz-1.jpg\" alt=\"\" width=\"400\" height=\"300\" srcset=\"https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img13b20DC209620Sasha20Waltz-1.jpg 400w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img13b20DC209620Sasha20Waltz-1-300x225.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_18pix_orange\">TRANSFORM 2 \u201cA TRAVEL IN PHYSIQUE AND MIND\u201d<\/span><\/strong><br \/>\n4 udvalgte steder i byen, 4 koreografer, 4 komponister og 30 dansere unders\u00f8ger rum, lyd og bev\u00e6gelse.<br \/>\nPRODUKTIONSLEDER Ole Bjerre<br \/>\nKOREOGRAFER Kitt Johnson (DK), Kevin Fennan\/Motionhouse (UK), Bo Madvig (DK),<br \/>\nMehmet Sander (TYRKIET\/USA)<br \/>\nKOMPONISTER Sture Ericson, Per Buhl Acs, Anne Eltard, Peter Kyed<br \/>\n4.-17. august: Workshop<br \/>\n17. &amp; 18. august: Forestillinger p\u00e5 speedbane, K\u00f8benhavns Politig\u00e5rd, Vandt\u00e5rneti Bellah\u00f8j, Trekroner Fortet<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_18pix_orange\">FILMPROGRAM<\/span><\/strong><br \/>\nSpringdance \u2013 et udvalg af de 10 bedste europ\u00e6iske dansekortfilm<br \/>\nAnne Teresa De Keersmaeker Achterland<br \/>\nStanley Donen &amp; Gene Kelly Singin\u2019 in the Rain<br \/>\nStanley Donen Seven Brides for Seven Brothers<br \/>\nCarlos Saura Carmen<br \/>\nDave Hinton\/DV8 Dead Dreams of Monochrome Men; Strange Fish<br \/>\nClara van Gool\/DV8 Enter Achilles<br \/>\nVincente Minelli The Pirate (Gene Kelly &amp; Judy Garland)<br \/>\nArken, 9. 10. &amp; 11. august<br \/>\nNationalmuseets Biograf, 13., 14., 15. august.<br \/>\nKortfilm af Kieslowski, Peter Greenaway, Mikala Lage, Lene \u00d8stergaard, Jan Troell samt alle DV8\u2019s film<span class=\"a4_18pix_orange\"><br \/>\n<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span class=\"a4_18pix_orange\">MEET THE CHOREOGRAPHER<\/span><\/strong><br \/>\nRui Horta, Anders Christiansen, Ingun Bj\u00f8rnsgaard, Tim Feldman, Tero Saarinen, Tess de Quincey, Stuart Lynch, Bill T. Jones <em>(see photo below)<\/em>, Sasha Waltz, Jos\u00e9 Navas, Quasar Companhia de Dan\u00e7a, J\u00e9r\u00f4me Bel, Anne Teresa de Keersmaeker, Saburo Teshigawara<br \/>\nKanonhallens Foyer &amp; Chalottenborgs Caf\u00e9<\/p>\n<p><a href=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img5b20DC209620jones20zane-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7170\" src=\"http:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img5b20DC209620jones20zane-1.jpg\" alt=\"\" width=\"400\" height=\"399\" srcset=\"https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img5b20DC209620jones20zane-1.jpg 400w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img5b20DC209620jones20zane-1-150x150.jpg 150w, https:\/\/www.metropolis.dk\/wp-content\/uploads\/2018\/10\/Img5b20DC209620jones20zane-1-300x300.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><\/p>\n<p>[\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Den fjerde festival blev en kunstnerisk kulmination. Med Kulturby 96 fik KIT \u00f8konomisk mulighed for at invitere en r\u00e6kke af vor tids st\u00f8rste koreografer, sidel\u00f8bende&#8230;<\/p>\n","protected":false},"author":1,"featured_media":7137,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[89,800,798],"tags":[802,807,801],"class_list":["post-7186","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-dancin-city-en","category-dans-dans-dans-en","tag-dancin-city","tag-dancin-city-1996","tag-dans-dans-dans"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>DANCIN\u2019 CITY 1996 - Metropolis<\/title>\n<meta name=\"description\" content=\"Den fjerde festival blev en kunstnerisk kulmination. 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