{"id":709,"date":"2015-08-21T18:42:18","date_gmt":"2015-08-21T16:42:18","guid":{"rendered":"http:\/\/www.metropolis.dk\/day-10-epilogue-ceci-nest-pas-moi\/"},"modified":"2017-06-12T19:07:28","modified_gmt":"2017-06-12T17:07:28","slug":"day-10-epilogue-ceci-nest-pas-moi","status":"publish","type":"post","link":"https:\/\/www.metropolis.dk\/en\/day-10-epilogue-ceci-nest-pas-moi\/","title":{"rendered":"Day 10 (\u00e9pilogue): Ceci n\u2019est pas moi*"},"content":{"rendered":"

By Sofie Henningsen<\/strong><\/em><\/p>\n

\"Day<\/a><\/p>\n

This last day at Dries Verhoeven\u2019s art installation \u201cCeci n\u2019est pas..\u201d at Gammel Torv the shutters go up in the morning. It doesn\u2019t reveal a living person this time, but living maggots or mealworms in the glass box. An urn with decorations is placed on top of the pile of worms. It turns slowly and its metallic surface reflects the sun. The same classical music as the first day flows out of the glass box and surrounds the audience as they crowd around box. The pile of worms reach up to the head, which allow you to see the surface of the overwhelming amount of worms wriggle, if you stretch a bit.<\/p>\n

Three Danish women arrive at the glass box: \u201cWhat are they eating?\u201d, <\/em>one of them is asking. \u201cThey eat the dead bodies \u2013 it is an urn standing on top of them<\/em>\u201d. A sound of chewing or slippery worms from the box supports that idea. Some young Danish girls pass the box: \u201cOh, what is that!?\u201d.<\/em> \u201cIt is maggots.. and it has something to do with how we place the dead outside of the city<\/em>\u201d, one of them says. \u201cBut what is about more generally<\/em>?\u201d, the other girl asks. \u201cIt is about taboos<\/em>\u201d. Some people in the audience seem fascinated by the sight, while others are disgusted: \u201dUgh, gross!\u201d. <\/em>They cannot stand the sight of it and leave quickly. Two girls, who stay, read the text and comment on the image: \u201dYes it is worms, but it is also a person sort of.<\/em>\u201d The young people do not connect the image of death to themselves as the title suggests: \u201cThis is not me\u201d.<\/em><\/p>\n

For several of the seniors they perceive the image as clearly related to them. A elderly couple takes a quick look as they pass: \u201dThis is what we will become one day\u201d<\/em>. Another elderly lady stays at the box for some time. She walks around it and takes her time to take in the experience. The lady meets two men a great number of years younger than her. They seem to know each other from somewhere. They start discussing the installation:<\/p>\n

\u201cNow you should listen to a wise old woman. Live and death walk hand in hand, and this is a brutal but also a very simple way to show that one day we must all die. One day, when you get burned or buried..\u201d<\/em><\/p>\n

\u201cI will not be burned!\u201d<\/em><\/p>\n

\u201cWell, then buried. It doesn\u2019t matter. You can choose it yourself. Then you will end up like this<\/em>.\u201d<\/p>\n

Probably not that surprising the seniors find this image less frightening than the younger people in the crowd. They know that death is inevitably. When shutters go down this evening, today\u2019s person is already laid to rest and the urn on top of the worms will be the last image that sticks to our retina. This last image of death is also the epilogue that closes Dries Verhoeven\u2019s ten living images of society\u2019s taboos. The last scenes the previous days end with the person inside the box is lying still with his or her eyes wide open. Thus we are everyday asked whether we prefer to shut our eyes for these taboos or do we dare to look our fears in the face? Do we dare to face the imperfection of the different aspects in our society and life? And how do the commercial pictures in public space affect our collective perception and ideals? Many people have returned to the Dries Verhoeven\u2019s installation during the last ten days to be confronted with those kinds of questions through his images. But what is the biggest taboo in Denmark right now, according to the reception of the audience?<\/p>\n

The image of a Muslim man praying in a bulletproof vest at day 8 caused the strongest reactions and most discussion among the audience. The man was sitting in a blue tunic and a black bulletproof vest on his carpet with at string of beads in his hand. A loud speaker was hanging down from the ceiling. First he looked concentrated counting the beads, then he looked strait into the eyes of the audience with a calm, mild look but maybe also a sad look. The sound of the muezzin\u2019s call streamed out of the box and was heard from a distance. The man in the box got up on his feet then down to his knees with his forehead to the floor. This image made some people angry to see their religion exposed in this way, while others were touched to tears. Some other people did simply not want look at the box that day. Was it their fear exposed right there in the middle of Str\u00f8get? This image in particular made the different parts of Danish society discuss with each other.<\/p>\n

__________<\/p>\n

\u00a0<\/strong>Ceci n\u2019est pas moi*<\/strong>
\nHistorically, cemeteries in Denmark were located outside urban areas. According to roman convictions, the dead presented a threat to order within the sacred city limits. The dead were believed to pollute and create chaos.<\/em><\/p>\n

Death nowadays is an even less public matter. Fewer elderly die in their own or their family\u2019s home. Widows and widowers are not recognizable as such. The public display of loss and sadness is considered out of place, as are any signs of decay, degradation or destruction.
\n<\/em><\/p>\n

* This is not me<\/em><\/p>\n

Ceci n\u2019est pas moi*<\/strong>
\nHistorisk set placerede man i Danmark kirkeg\u00e5rdene uden for bym\u00e6ssige omr\u00e5der. If\u00f8lge romersk overbevisning repr\u00e6senterede de d\u00f8de en trussel mod orden inden for de hellige bygr\u00e6nser. De d\u00f8de mentes at forurene og skabe kaos.<\/p>\n

D\u00f8den er i dag i endnu mindre grad et offentligt anliggende. F\u00e6rre \u00e6ldre d\u00f8r i deres egne eller deres familiers hjem. Enker og enkem\u00e6nd er ikke genkendelige som s\u00e5dan. Offentlig visning af tab og sorg betragtes som upassende akkurat som tegn p\u00e5 forfald, nedbrydning og \u00f8del\u00e6ggelse.
\n<\/em><\/p>\n

* Dette er ikke mig<\/em><\/p>\n

READ MORE <\/strong>about the Metropolis Festival and the artist Dries Verhoeven\u2019s concept of \u201cCeci n\u2019est pas\u201d in this background article<\/a>\u00a0<\/em>or on K\u00f8benhavns Internationale Teaters webpage<\/a>.\u00a0 <\/em>Also check out the newspaper articles in Berlingske<\/a> and Politiken<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

By Sofie Henningsen This last day at Dries Verhoeven\u2019s art installation \u201cCeci n\u2019est pas..\u201d at Gammel Torv the shutters go up in the morning. 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