{"id":25139,"date":"2023-01-10T14:37:58","date_gmt":"2023-01-10T13:37:58","guid":{"rendered":"https:\/\/www.metropolis.dk\/om-deltagerne-27-jan\/"},"modified":"2023-02-01T18:45:29","modified_gmt":"2023-02-01T17:45:29","slug":"participants-27-jan","status":"publish","type":"post","link":"https:\/\/www.metropolis.dk\/en\/participants-27-jan\/","title":{"rendered":"About the participants – Friday 27 January"},"content":{"rendered":"

TRINE RYTTER ANDERSEN \/ Kurator & kritiker (in Danish)<\/strong><\/p>\n

Trine Rytter Andersen is a visual artist and independent curator and fine arts consultant with a background as a practitioner of contemporary fine art. Her artistic practice had its takeoff in modern sculpture and from there it ventured in to conceptual- and performance art: first during her studies at the department for sculpture and space at The Jutland Academy of Fine Arts in Aarhus; since through the collaboration with colleagues Tina S. Lynge and Grethe Aagaard in the context of the artists group artillery<\/em>.<\/p>\n

Always from an aesthetic point of view Andersen’s practice focuses on how to be human in an multifaceted world of information and disconnection. She also focusses on how we as humans are either elevated or suppressed by social hierarchies and political structures. In her work she addresses different aspects of power, dislocation and alienation in search of liberating alternative positions. She works in various medias as art writing, photography, objects, installation and drawing\u00a0 or painting on paper, with different tools and mediums. As a curator, Andersen investigates positions that establish and emphasize a play between art and politics. Over the years, Trine Rytter Andersen has written large numbers of texts on art and artists for different Danish daily newspapers, catalogues, and books, currently for kunsten.nu.<\/p>\n

Talk<\/strong><\/p>\n

Et opl\u00e6g om, hvordan fordybelsen og intimiteten med jorden og landskabet v\u00e6kker selve naturrelationen til live, og hvordan den levendegjorte relation i sig selv bliver en drivkraft, der afstedkommer aktivisme i den nuv\u00e6rende klimakatastrofiske tid. Om kill-joyen og foruds\u00e6tningerne for at tage den p\u00e5 sig. Og om, hvordan foragten for naturen er en direkte forl\u00e6ngelse af foragten for det n\u00e6rende og kvindelige i patriarkatet, og hvorfor fremtiden n\u00f8dvendigvis m\u00e5 v\u00e6re antipatriarkalsk og feministisk.\u00a0<\/strong><\/p>\n

www.trinerytterandersen.dk<\/a><\/p>\n

 <\/p>\n

MARIA KJ\u00c6R THEMSEN \/ Kunstredakt\u00f8r Information, forfatter (in Danish)<\/strong><\/p>\n

Maria Kj\u00e6r Themsen er kunstredakt\u00f8r ved Dagbladet Information, forfatter og freelance-kurator. Hun har tidligere kurateret st\u00f8rre udstillinger internationalt, og herhjemme har hun senest kurateret den prisvindende udstilling Soil.Sickness.Society<\/em> p\u00e5 R\u00f8nneb\u00e6ksholm ved N\u00e6stved. En udstilling om ubalancer i b\u00e5de muld, mennesker og samfund. <\/span><\/p>\n

Maria Kj\u00e6r Themsen er desuden forfatter til den anmelderroste bog Ber\u00f8rt \u2013 om dansk kunst i det nye \u00e5rtusinde <\/em>(2020) og er medlem af Statens Kunstfonds Legatudvalg for Billedkunst i perioden 2020-2023.<\/span><\/p>\n

Opl\u00e6g<\/strong>
\nMaria Kj\u00e6r Themsen vil tale om sit kuratoriske arbejde og relationen mellem ubalancer i mulden\/sindet\/systemet, hvilket l\u00e5 til grund for det prisvindende projekt Soil.Sickness.Society<\/i>, som hun har udviklet og kurateret.\u00a0Desuden vil hun tale om b\u00e6redygtig kuratering ift. et projekt p\u00e5 Sams\u00f8 med titlen Jeg st\u00e5r op med jordens mylder<\/i>.<\/p>\n

\n
PRACTICE<\/u><\/strong><\/h5>\n

SESSION 1 \/ 11.30-13.00<\/strong><\/span><\/p>\n

\"\"TORA BALSLEV<\/strong><\/p>\n

Tora Balslev er performance- og scenekunstner med basis i dans og bev\u00e6gelse. Hun er kunstnerisk leder af kompagniet Daily Fiction og optaget af relationen med det andet-end-menneskelige. Hun arbejder koreografisk og meditativt med at skabe oplevelser af at tr\u00e6de i forbindelse med sine omgivelser. Et arbejde med eksistens og perspektiv drevet af behov for en ny ansvarlighed over for det, vi bebor.<\/p>\n

Workshop: Dancing Matter
\n<\/strong>Tora deler et uddrag af v\u00e6rket City Matters, en kunstnerisk vandring i byens natur. Som deltager f\u00e5r du en chance for at komme i n\u00e6rkontakt med byens stof. Asfalt, sten og beton. En unders\u00f8gelse af byens geologiske krop og koreografi over tid. En ekspedition i selskab med det andet-end-menneskelige. Et blik og et \u00f8re p\u00e5 hvordan vi mennesker er viklet ind i en st\u00f8rre organisme. City Matters er skabt i samarbejde med lydkunstner Maiken Vibe Bauer.
\n– outdoor \/ in Danish<\/em><\/p>\n

\"\"KATRINE FABER<\/strong><\/p>\n

Katrine Faber is a singer, actress, voice performer, theatre director, composer and psychotherapist<\/p>\n

from Denmark. She is artistic director of Teater Viva, expanding the perception of theatre into
\nan artistic space, where we can meet ourselves, each other, and our living environment in an extended resonance. Since 2015 with Singing Our Place: a Nordic cross art project about humans, our living surroundings and our common future. Singing Our Place has created performances, concerts, workshops, talks, sound installations and festivals in Denmark, England, Iceland, Finland, Sweden, and Greenland. www.teaterviva.dk<\/a><\/p>\n

Workshop: Singing Our Place
\n<\/strong><\/p>\n

In this Singing Our Place workshop, we work with our bodies and voices in a meeting with voices from our living environment -what we usually call nature, but which often indicates something outside of ourselves. Here we challenge this notion of separation between human and our surroundings. In the workshop, we examine our bodies as landscapes full of sound and life. We examine the landscape we are in as a body full of sound and life. We listen to the Earth as a living body full of vibrating sounds and life. We explore how, through focused and open-minded work, we can express and move with the human voice into the non-human. We dissolve worn-out languages, step into the wordless, and create new languages \u200b\u200bbetween the human and the non-human. You do not have to be good.
\n– partly outdoor \/ in Danish<\/em><\/p>\n

\"\"GEORG JAGUNOV<\/strong><\/p>\n

\u201cThe wanderer: As a child I played a game I called “Indians” or “Scouts”. I would slowly move through the forest. Alone, alert and silent. Searching for traces. Traces of the unknown and of the unseen. In a way much of my art now is the same game, taken to a different level.\u201d<\/em><\/p>\n

Georg\u2019s artistic practice is inherently multidisciplinary and collaborative. He works within a cross-section of installation and digital arts, performance and storytelling, landscape design on micro and macro scale. His projects are closely connected to the natural environment, with focus on geology, biology, ancient landscapes, prehistory and mythology.<\/p>\n

Workshop: Timefulness<\/strong><\/p>\n

Come and join for a trip in time and space. The post-industrial garden is being turned into a zone where anything can be found: 80 million years old flint formations, traces of the post-glacial landscapes, stone age artefacts and ancient alien beings. With a map in your hand, you will go on a hunt. Searching for the traces of the unknown and the unseen. Timeless artefacts, stories and scapes are just under your feet…
\n– partly outdoor \/ in English<\/em><\/p>\n

\"\"JANUS KODAL<\/strong><\/p>\n

Janus Kodal er digter, f\u00f8dt 1968. Han har g\u00e5et p\u00e5 Forfatterskolen og udgivet en lang r\u00e6kke b\u00f8ger, senest den konkretlyriske samling\u00a0FORK<\/em>\u00a0p\u00e5 forlaget Space Poetry, december 2022 (omtalt i \u00a0https:\/\/www.dr.dk\/drtv\/se\/deadline_-aaret-i-boeger_357457<\/a>).<\/p>\n

Med udgangspunkt i ord, landskaber, steder og stemmer har Janus de senere \u00e5r arbejdet med erindring og lydh\u00f8rhed i en kollektiv proces, hvor materiale indsamlet under vandringer bearbejdes til et kollektivt udtryk.<\/p>\n

Workshop: SITU VOCE \u2013 stedernes stemmer<\/strong>
\nI workshoppen skal vi ud p\u00e5 en lille vandretur \u2013 en \u201dwalkshop\u201d \u2013 i omr\u00e5det omkring Teater\u00f8en med vores mobiltelefoner. P\u00e5 udvalgte hj\u00f8rner standser vi, og jeg tilbyder en ramme for en sansning eller en tanke, som deltagerne \u201dsamler\u201d og sender tilbage til mig som tekst eller lydbid p\u00e5 mobiltelefonen. Efterf\u00f8lgende samler jeg bidderne til et kollektivt v\u00e6rk inspireret af stedernes stemmer \u2013 Situ Voce.
\n– outdoor \/ bring your cell phone \/ in Danish (session shared with Steinunn Kn\u00fats-\u00d6nn\u00fadottir)<\/em><\/p>\n

\"\"BETTINA LAMM<\/strong><\/p>\n

Bettina Lamm is\u00a0an associate professor at the division of Landscape Architecture and Planning, University of Copenhagen. Her research addresses the interaction between the lived life and our surrounding landscapes.\u00a0She studies in practice and theory how temporary interventions and art strategies can contribute to a reprogramming of the interim landscape by introducing new site readings and experiences.\u00a0Through a practice-led research approach, she explores how our environment can facilitate our human experience of embodied life (on earth) and connect us to places and to each other through collective place making practices.<\/p>\n

Workshop:<\/strong> Sensing and mapping landscapes<\/strong><\/p>\n

We will explore the landscapes of Refshale\u00f8en individually through different sensing and performative techniques. As living breathing seismographs, we will engage in an embodied dialogue with the landscape capturing its essence. We will then gather and transform our findings into visual maps and graphic notations.
\n– outdoor \/ in Danish<\/em><\/p>\n

\"\"STEINUNN KN\u00daTS \u00d6NNUD\u00d3TTIR<\/strong><\/p>\n

Steinunn Kn\u00fats \u00d6nnud\u00f3ttir is a performance maker working with sustainable, relation specific and participatory encounters. She has worked as a director, writer, dramaturg and a performer in Iceland, UK, USA, Scandinavia and beyond, currently based in Malm\u00f6. Steinunn was a dramaturg at the City Theater in Reykjavik, a lecturer and a dean at the Department of Performing Arts in IUA Reykav\u00edk, and artistic leader of Webtheater Room 408 and The Professional Amateurs. Steinunn is a PhD\u00a0research fellow at Theater Academy of Malm\u00f6, University of Lund. She is a mother of three, a\u00a0potter, theologian and practices forest bathing. Her current research project is called How Little is Enough?<\/em>\u00a0Sustainable Methods of Performance for Transformative Encounters.<\/em><\/p>\n

Workshop: How little is enough?
\n<\/strong><\/p>\n

In this short introductory workshop, Steinunn will show a video essay about\u00a0her work, Eyja, a relation specific,\u00a0participatory performance in Hr\u00edsey, an island North of Iceland. The work is a part of her artistic research that explores sustainable methods of performance through transformative\u00a0encounters.\u00a0After the introduction, the\u00a0participants will be invited to delve into the artistic practice through\u00a0a performative encounter with a fellow participant in an organic and porous setting. Together we will be unpacking the question “How Little is Enough?” both in relation\u00a0to\u00a0personal and\u00a0artistic production and consumption.
\n– indoor \/ in Danish & English (SESSION SHARED WITH JANUS KODAL)<\/em><\/p>\n

\"\"S\u00d8REN LOSE &\u00a0<\/strong>THOMAS SEEST<\/strong><\/p>\n

S\u00f8ren Lose<\/strong> er billedkunstner uddannet fra bl.a. Det Kgl. Danske Kunstakademi (1998-2003) med baggrund i en researchbaseret\/konceptuel praksis. Mediem\u00e6ssigt har han arbejdet prim\u00e6rt med foto og video over installatoriske og skulpturelle projekter i institionel kontekst til de seneste \u00e5r ogs\u00e5 at arbejde med natur- og genbrugsmaterialer i det offentlige rum.<\/p>\n

Thomas Seest<\/strong> arbejder hovedsageligt med foto og video, ofte med et performativt udtryk. Som overordnet tema unders\u00f8ger han relationen mellem den indre og den ydre verden. Det v\u00e6re sig\u00a0kropsligt, metafysisk, seksuelt, socialt og tidsligt.<\/p>\n

Sammen er de tilknyttet Guldborgsund Kommune som huskunstnere.<\/p>\n

Workshop<\/strong>
\nWe transform into plant beings and interact with nature in a practical and metaphysical plant workshop in the local wasteland around Refshale\u00f8en.
\n– outdoor \/ in Danish<\/em><\/p>\n

 <\/p>\n

SESSION 2 \/ 14.00-15.30<\/strong><\/span><\/p>\n

\"\"TORA BALSLEV<\/strong><\/p>\n

Tora Balslev er performance- og scenekunstner med basis i dans og bev\u00e6gelse. Hun er kunstnerisk leder af kompagniet Daily Fiction og optaget af relationen med det andet-end-menneskelige. Hun arbejder koreografisk og meditativt med at skabe oplevelser af at tr\u00e6de i forbindelse med sine omgivelser. Et arbejde med eksistens og perspektiv drevet af behov for en ny ansvarlighed over for det, vi bebor.<\/p>\n

Workshop: Dancing Matter
\n<\/strong>Tora deler et uddrag af v\u00e6rket City Matters, en kunstnerisk vandring i byens natur. Som deltager f\u00e5r du en chance for at komme i n\u00e6rkontakt med byens stof. Asfalt, sten og beton. En unders\u00f8gelse af byens geologiske krop og koreografi over tid. En ekspedition i selskab med det andet-end-menneskelige. Et blik og et \u00f8re p\u00e5 hvordan vi mennesker er viklet ind i en st\u00f8rre organisme. City Matters er skabt i samarbejde med lydkunstner Maiken Vibe Bauer.
\n– outdoor \/ in Danish<\/em><\/p>\n

\"\"GRY WORRE HALLBERG \/ SISTERS HOPE<\/strong><\/p>\n

Gry Worre<\/span><\/span> Hallberg, <\/span><\/span>performance artist and PhD,<\/span><\/span> <\/b>is the co-founder and artistic director of the award-winning performance group and movement Sisters Hope. Recently published her PhD <\/span>Sensuous Society – Carving the path towards a sustainable future through aesthetic inhabitation stimulating ecologic connectedness<\/span><\/i>, introducing \u2018inhabitation\u2019 as new artistic paradigm. Do also see her two TEDx talks; <\/span><\/span>Sensuous Society<\/span><\/span><\/i><\/a> (2013, TEDxCPH) and <\/span><\/span>Sensuous Learning<\/span><\/span><\/i><\/a> <\/i>(2015, TEDxUppsalaUniversity). Appointed IETM Global Connector. sistershope.dk<\/span><\/span><\/p>\n

Workshop: Inner landscapes – The Poetic Self<\/span><\/strong><\/p>\n

The facilitation of a Poetic Self exercise with the participants as an exploration of the inner landscapes. This leads to a reflection of the connection between outer and inner landscapes and how such a connection, practice and inhabitation can support a transition towards a more sustainable future.
\n– inside, perhaps partly outdoor \/ in English<\/em><\/p>\n

\"\"HELLO!EARTH<\/strong><\/p>\n

hello!earth insists that art is a place for big and fragile visions. A laboratory space, where new thoughts and ideas can become reality, and where we together create the world instead of consuming it.\u00a0The base of the work is an inquiry into consciousness and an exploration of the myth of reality. With the audience as the co-creating and central element, the works attempt to unfold the potential of relations between people and place and make interconnectedness and diversity tangible.\u00a0The works are always spaces for an audience to experience, sense and do, and as a collective force shape a response to the pressing ecological and political situation and inspire change towards regenerative practices and visions.<\/p>\n

Workshop:<\/strong> The sensing body as the activist
\n<\/strong>How would big politics look like if it was shaped by the sensing body?\u00a0How to offer conditions, where the body is invited to inhabit complex and paradoxical questions and seemingly abstract topics such as economy, environmental or social issues?\u00a0How can the body be catalyst for producing thought and become a transformative resource, a form of activism?\u00a0Inspired by their work \u201cTHE NIGHT \u2013 visioning a post-capitalist society while we sleep\u201d, Vera Maeder and Jacob Langaa Sennek invite into a short joint laboratory, relating to this aspect of their work. Followed by examples from previous works and open dialog.
\n\u2013 indoor + 5 min. outdoor \/ in English<\/em><\/p>\n

\"\"JETTE HYE JIN MORTENSEN & SIGNE VAD<\/strong><\/p>\n

Jette Hye Jin Mortensen<\/strong> is an artist, writer, activist and sustainability advocate with a background in theatre, film and music. MFA graduate from the Royal Danish Academy of Fine Arts in 2010, receiver of the 3-year work stipend from the Danish Arts Foundation in 2015 and certified PDC Permaculture Designer in 2018.\u2028 Born 1980 in South Korea and grew up in Denmark as an adoptee. Currently she is active in the interdisciplinary collective Art+Science+Permaculture and a member of the Danish Arts Council.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"Visual artist and climate activist Signe Vad<\/strong> explores political, existential and philosophical issues; where-from her artworks about community and self, nature, co-existence and political conditions grow. Her art practice is multidisciplinary and includes photography, video art, installations, internet, activistic and socially engaging art projects and performance. Beside her individual artistic practice and active work within the artist-run sector, she is part of the artist collaboration\u00a0the Syndicate of Creatures<\/em>\u00a0(www.tsoc.zone<\/a>).<\/p>\n

Workshop<\/strong><\/p>\n

This workshop is a collaboration between perma-culturist and visual artist Jette Hye Jin Mortensen and climate-activist and visual artist Signe Vad. Jette Hye Jin Mortensen will introduce some interactive life design tools for a more sustainable livelihood where you will be working together in pairs and as a group. You will as well get an introduction to Permaculture ethics and principles and how to translate them to cultural work.<\/p>\n

Signe will invite you into an eco-systemic freedom fight, presenting her poetic sense-based resistance movement called Death to the Death Star. Here, the gentle body is connecting to other species as embedded in the ecosystem. Bringing to the surface internal\/external dialog, questioning and reflecting on agency, courage and when the decisive moment to act arises.
\n– indoor \/ in Danish<\/em><\/p>\n

\"\"STINA STRANGE THUE<\/strong><\/p>\n

Stina Strange Thue\u00a0(f. 1987) er kunstnerisk leder, dansekunstner og skribent. Hendes praksis er funderet i en fysisk-poetisk metode, der arbejder med kroppens og tekstens narrative evner til i samspil at formidle en kritisk tilgang til vores v\u00e6ren i verden.<\/span><\/p>\n

Stina Strange Thue er skribent p\u00e5 bastard.blog og er aktuelt involveret i et kunstnerisk forskningsprojekt p\u00e5 KADK i samarbejde med arkitekt Rasmus Strange Thue samt performanceprojektet Kroppens Umulige Sprog med Karin Hald og Filip Vest.<\/span><\/p>\n

Workshop: She Who Belongs<\/strong><\/p>\n

A workshop about inviting yourself, other human beings, nature and objects in our surroundings and state of mind into a sense of belonging. By investigating and observing a specific site, we will create a shared embodied piece of poetry and give it back to the landscape. Combining our senses with the creation of text and using our own bodies to write the text \u201cback\u201d into the site, we share a sensuous experience having the possibility of creating a sense of belonging between \u201cus\u201d all.
\n– outdoor \/ in Danish<\/em><\/p>\n

\n
REFLECTIONS<\/u><\/strong><\/h5>\n

IBEN FROM \/ Direkt\u00f8r KunstCentret Silkeborg Bad<\/strong><\/p>\n

Iben From (f. 1965) er cand.mag. i kunst- og religionshistorie fra Kbh. Universitet (1997) og Master of Museologi, Aarhus Universitet (2007). Direkt\u00f8r (siden 1998) for og udvikler af KunstCentret Silkeborg Bad omfattende direkte samarbejde med en lang r\u00e6kke billedkunstnere fra ind- og udland, tilrettel\u00e6ggelse af flere end 250 st\u00f8rre og mindre kunstudstillinger af fortrinsvis samtidens kunst, men ogs\u00e5 med afstikkere til nyere tids kunsthistorie, begge dele med tilh\u00f8rende publikationer. Tillige hovedansvar for formidling og audience development samt ledelse og \u00f8konomi.<\/p>\n

SOLVEIG GADE \/ Ass. Prof. K\u00f8benhavns Universitet<\/strong><\/p>\n

Solveig Gade is an Associate Professor in Theatre and Performance Studies at the University of Copenhagen. Research areas include new dramaturgical paradigms in contemporary theatre and performance, the relation between art and politics, war and aesthetics, performance and archives, and contemporary performance and climate crisis. Solveig is also a dramaturge, and before joining UCPH as an associate professor she was a dramaturge at the Royal Danish Theatre (2008-14), post doc at UCPH (2014-16), Associate Professor at the Department of Dramaturgy at Aarhus University (2016-19), and from 2019-2020 she was a professor at The Danish National School for Performing Arts.<\/p>\n

LARS GRAMBYE \/ Direkt\u00f8r Skovhuset<\/strong><\/p>\n

Lars Grambye, direkt\u00f8r for Skovhuset Kunst & Natur. Tidligere kurator ved Louisiana Museum for Moderne Kunst samt leder af Center for Dansk Billedkunst, Malm\u00f6 Konsthall, Kunsthallen Brandts og S\u00f8rlandets Kunstmuseum, Norge.<\/p>\n

STEFFEN KREJBERG KNUDSEN \/ Bloom<\/strong><\/p>\n

ANNA KROGH \/ Direkt\u00f8r Sor\u00f8 Kunstmuseum<\/strong><\/p>\n

Anna Krogh er direkt\u00f8r for Sor\u00f8 Kunstmuseum. Hun er magister i kunsthistorie og har tillige en MA fra State University of New York. Hun har tidligere v\u00e6ret direkt\u00f8r for Kunst p\u00e5 arbejde og kurator p\u00e5 bl.a. Kunsthallen Brandts og ARoS. Hun har udgivet og redigeret en lang r\u00e6kke artikler og b\u00f8ger og arbejder ogs\u00e5 som foredragsholder. Endelig har hun siddet i Statens Kunstr\u00e5ds Billedkunstudvalg og bidraget som konsulent i forskellige kunstneriske udvalg i hhv. Odense og K\u00f8benhavn.<\/p>\n

MODERATOR: RIE HAMMER \/ Chefredakt\u00f8r Iscene<\/strong><\/p>\n

Rie Hammer er chefredakt\u00f8r p\u00e5 ISCENE.dk og tidligere ansvarshavende redakt\u00f8r p\u00e5 teatermagasinet Teater1. 2001-2006 var hun anmelder og skribent p\u00e5 gratisavisen Urban og har sidel\u00f8bende skrevet stykker for b\u00f8rn og unge. Rie Hammer er formand for Foreningen Danske Teaterjournalister, formand for Forenede Kritikere samt juryformand for \u00c5rets Reumert.<\/p>\n

\n
PERSPECTIVES<\/u><\/strong><\/h5>\n

JULIE REISS \/ Art Historian<\/strong><\/p>\n

Julie Reiss is an art historian with a focus on contemporary art that addresses the climate crisis. She has spoken on and organized panels related to art and climate change, and is the editor of Art, Theory and Practice in the Anthropocene <\/em>(2019). In 2019 she organized the symposium \u201cThe Role of Art in the Environmental Crisis\u201d held at Christie\u2019s Education. A pioneering scholar in the field of Installation art, she is also the author of From Margin to Center: The Spaces of Installation Art<\/em> (1999), in addition to numerous articles and reviews. She was previously director of Modern and Contemporary Art and the Market, an accredited MA program at Christie\u2019s Education. Reiss teaches courses on Art and Sustainability at Columbia University, and recently taught a masterclass on Art and the Anthropocene at MUSE Science Museum in Trento, Italy. She holds a Ph.D. in Art History from the CUNY Graduate Center.<\/p>\n

https:\/\/juliereiss.com<\/a><\/p>\n

 <\/p>\n

MARK CHEETHAM \/ Prof., University of Toronto (CA)<\/strong><\/p>\n

Mark Cheetham\u2019s research centres on artwriting and visual culture from the mid 18th century to the present in Britain, Europe, the USA and Canada. He has written books and articles on the history, theory, and current practice of abstract art, on art historical methodology, on ecological art, and on recent art in Canada and internationally.<\/p>\n

His book Landscape into Eco Art: Articulations of Nature since the \u201860s was published in 2018. Eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In\u00a0the book, Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting.<\/p>\n

He curated the exhibition Struck by Likening: The Power & Discontents of Artworld Analogies at the McMaster University Museum of Art in 2017. His exhibition Ecologies of Landscape (2018\u201319) explored the ongoing potency of landscape presentation in contemporary art.<\/p>\n

www.arthistory.utoronto.ca\/people\/directories\/all-faculty\/mark-cheetham<\/a><\/p>\n

 <\/p>\n

KIRSTEN SWENSON \/ Associate Prof., University of Massachusetts, Lowell<\/strong><\/p>\n

Kirsten Swenson’s research interests include urban histories of minimal and conceptual art, artist-designed landscapes, gender politics, and public art. Swenson is currently writing a book on artist-designed landscapes and urban development, addressing the intersection of Land art and public art through the work of Nancy Holt, Agnes Denes, Mierle Laderman Ukeles, and others. Over 2018-2020, she was leading \u201cLocal Ecologies,\u201d a multimodal teaching, research, and exhibition initiative.<\/p>\n

Together with Emily Eliza Scott, she is co-editor and author of\u00a0Critical Landscapes: Art, Space, Politics<\/em><\/a>, asking the questions: In what ways is land formed over the course of geological time, also contemporary and formed by the conditions of the present? How might art contribute to the expansion of spatial and environmental justice? One of the first comprehensive treatments of land use in contemporary art,\u00a0Critical Landscapes surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena.<\/p>\n

www.uml.edu\/FAHSS\/Art\/Faculty\/Swenson-Kirsten.aspx<\/a><\/p>\n

 <\/p>\n

Fotos: Lars Bay \/ Metropolis \/ Diana Lindhardt \/ Thomas G. Bagge \/ Janus Kodal \/ Bettina Lamm \/ Jette Hye Jin Mortensen \/ Signe Vad \/ Steinunn Kn\u00fats \u00d6nnud\u00f3ttir \/ S\u00f8ren Lose & Thomas Seest \/ Morten Arnfred<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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