[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n
<\/p>\n
Walking with scores and performing Gypsy-roots-goes-punk’n’poetry<\/strong><\/p>\n <\/p>\n I arrive at each stop with notes and memorizations from listening to the surroundings at the distance traveled. It can be a score, an idea, a collection of sounds, a melody that sums up the route. I perform it as sound and music performance every hour.<\/p>\n <\/p>\n I see this as absurd, solidarity-inspired songs in the broadest sense. An intervention into the pain of this time. Concrete and absurd. In Danish and other languages, including self-invented.<\/p>\n <\/p>\n The basics of my equipment are an acoustic octave guitar, a mini-synth with speaker, a radio, timbales connectors, binaural microphones and a bluetooth speaker. I use some drawing tools to make small visual scores \/ scripts. Unexpected things can also happen with a shortwave or an electromagnetic receiver.<\/p>\n <\/p>\n Those present are involved at a distance. People, dogs and sound-producers like bells and percussion-like things – as sound and narrative elements. And sometimes with dance steps. Together.[\/vc_column_text][vc_empty_space height=”20px”][vc_separator type=”full_width” border_style=””][vc_empty_space height=”20px”][vc_column_text]<\/p>\nDOCUMENTATION 3 MAY<\/strong><\/h2>\n